My review of Nicholas Orme’s English School Exercises, 1420-1530 has just been published in the Journal of Medieval Latin.
You can access the review at this Brepols link. I am also happy to share it privately with colleagues upon request.
I’m happy to announce that I’ve been selected as one of the newest members of the “Junges Kolleg” of the North Rhein-Westphalia Academy of Sciences, Humanities and the Arts. I will be officially inducted in January 2016.
My short essay on how the discipline of dance helped me through a difficult time in my life is now up on the Manifest-Station:
I have a new piece in the Washington Post’s On Parenting column on the pictures of Alan Kurdi, and why they touched us when so many others had not:
Later this week, I’ll be in Berlin at the “Material Artefacts: Reading the Past through Archaeological Objects in Medieval British Literature” conference, sponsored by SFB 980: Episteme in Motion.
The upcoming BABEL Working Group meeting will take place in my hometown, Toronto from 9-11 October 2015. The topic is “Off the Books: Making, Breaking, Binding, Burning, Leaving, Gathering.” For this occasion, I am organising a session on “Women’s Arts of the Body.” The full BABEL call for papers will be up soon, but here’s a sneak peek of my session. We will have space for a more traditional panel and for a breakout session that could involve performances, demonstrations, and so on, so I am hoping for creative proposals. Not only do we have quite a bit of time, this session is totally, 100% open, so please share this CFP with any colleagues you know doing interesting work on women’s craft and performance.
Women’s Arts of the Body
Organizer: Irina Dumitrescu (Rheinische Friedrich-Wilhelms-Universität Bonn)
Proposals to: irinaalexandradumitrescu (at) gmail.com
At the beginning of Boethius’ Consolation of Philosophy, Philosophy arrives to drive out the Muses from Boethius’ cell. It is often said that the Philosophy is female because Latin philosophia is a feminine noun, and, indeed, the dialogue that follows continues a masculine tradition of inquiry and authorship. And yet, woven into this scene are not only female figures, but traces of women’s craft. Philosophy is a cloth-maker, having woven her own clothes, the Muses are described as actresses and whores, and both Muses and Philosophy aim to cure the sick Boethius with their healing arts. Although the dialogue that follows aims to teach the ailing man how to distance himself from worldly things, it begins with feminine craft and arts of the body.
This session invites contributions about women’s arts of the body, types of making that are “off the books” in two senses. Women’s lived experience is notoriously marginal to the historical written record, either effaced utterly or distorted in its representation. So are a host of practices and performances relating to the body that either were not deemed worthy of setting down, or were indeed nearly impossible to record.
Such “arts of the body” include: spinning and weaving; needlework, knitting, sewing, quilting; cooking, baking, confectionery; brewing, distilling; pottery; cosmetics, hair-dressing; dancing, singing, acting; medicine, home-remedies, first aid; making perfumes and poisons; birth control, abortion, midwifery; sex-work.
Guiding questions are:
Contributions can take the form of a traditional paper, a performance, a re-creation, a tutorial, the presentation of an object and discussion of it, or some combination of these. Proposals that include a performance or hands-on aspect are particularly encouraged.
Laura Miles and I have put together a session for the upcoming New Chaucer Society meeting, scheduled to take place July 10th-15th, 2016 in London. Please consider submitting an abstract!
Organizers: Irina Dumitrescu and Laura Saetveit Miles
Why do certain stories become bestsellers, repeatedly translated and adapted to other media? Why are some characters particularly appealing, the stars of vitae, poems, and paintings? This panel examines the workings of charisma, popularity, and fascination in the premodern period. Papers might call on Max Weber’s discussion of charismatic authority, Peter Brown’s of the saint as exemplar, Joseph Roach’s of the celebrity “it” factor, or Stephen Jaeger’s of the redeeming power of enchantment. The goal is to begin a conversation about how charisma – transferred over time between media and audiences but never lost – might function as a productive mode of understanding cultural systems.
You can find the entire call for papers and submission instructions here.